Movie Analysis Of Sunset Boulevard Film Studies Essay

Movie Analysis Of sundown boulevard Film Studies moveSunset Boulevard, directed by Billy wilder in 1950, is considered to be the greatest hit about Hollywood ever put on celluloid by Hollywood. It is a classic b lose comedy/drama, and perhaps the most acclaimed, save darkest film noir story about behind the scenes Hollywood. or so people describe it as the black pearl of film noir a macabre movie whose decadent glamour and despair are memorably haunting. The movie combines melodrama and film noir to give us a deliciously scathing satire on the movie making industry. This is why it is still regarded as a landmark of Ameri basis cinema, even though it has been more than a half century since it was make upd. While this film is both entertaining and striking, it is a sad tale of deception, greed, and jealousy. It begins and ends with a dead man floating in the puddle of a crumbling old mark. This movie not only pokes play at old Hollywood, but also broke new maroon with techni ques never used before in film.From its legendary opening light beam of a man floating dead in a travel pool, Sunset Boulevard seizes our attention and doesnt let go until its equally notable closing shot. In fact, the movie opens with a jolt the bullet-riddled body of a young man is seen floating face down in the pool next to a mansion. Then the ghostly voice of Joe Gillis recounts the events leading up to his death, which are shown in flashback until ending with the final scene A on the whole deranged Norma Desmond descending a staircase in front of newsreel cameras. She is at a time again in the spotlight, even if she is unable to comprehend why, and Max, who is positioning the cameras, is directive her for one final time. Despite their apparent differences, Joe and Norma are two of a kind both are vain mediocrities who think they are violate than what they are, and who seriously believe that they are destined for a better future, but they are obviously doomed.Sunset Boul evard is a movie do in Hollywood that is about making movies in Hollywood, this is why it is self-importance referential. It critiques Hollywoods sense datum system. In fact, the main female book of facts of the film (Norma Desmond) plays a washed up actress from the silent age of Hollywood. She lives in a initiation of delusion where her fans still remember her, and where her old director Cecil B. DeMille will produce the wretched script that she is writing. Her eccentric behavior and her neurotic tendencies seem to sack out no limits. In this main female character the movie exposes a sad picture of the dark side of the star system The star system exploits an artists skill, but when that actor or actress becomes obsolete, or lose their woo to the public, the system would cut them free. At the end of the movie, she commits murder to protect her fantasy.This film expresses a cynical attitude toward Hollywood, by showing the main character of the film face down in his dream pool killed, in a roundabout way by the Hollywood system. The dead man, we occur out, is Joe Gillis, a Hollywood script writer, and also the narrator of this tale. Then Gillis takes us on a journey of how he got there through big(p) creditors, a car chase, a dead monkey and a rattling well timed landing at the home of Norma Desmond.With that, the film can be seen as a look at the writer and the indorse of writing and filmmaking in Hollywood. It depicts a lack of respect for the art of writing, and the lack of humanity in the Hollywood system.From a technical standpoint, Sunset Boulevard is not a ground-breaking film, but Wilder uses the films visual elements to good effect. Normas mansion is shown in all of its crumbling, gothic glory, as well as the fishs tenderness shot of Joe in the pool. These are memorable moments that give the movie a special characteristic that makes it different from others, without forgetting the perfect practice of medicineal accompaniment. The acting is flawless, with for each one actor fully inhabiting the skin of his or her character. And the camera work and music are effortlessly wed to the projects other aspects. The movie represents the center rock in Billy Wilders glittering cinematic tiara.Finally, we can say that Sunset Boulevard is a prototype of film noir. And no other trend picture about Hollywood comes near Billy Wilders searing, uncompromising and utterly fascinating portrait of the film community. That is why there has never been or will there ever be another movie same Sunset Boulevard in all of cinemas history.